I’m often asking all you people out there what it is you’d like me to blog about, and every time I get asked about the same types of subjects, workflow, equipment, techniques. So I tried to work out why…
As photographers, we’re often trying to find a benchmark as to how good we are. Sure, we can ask friends, but they give us biased opinions. It’s hard to get constructive critiques from peers, so we’re often left with self evaluation… which is usually the worst kind! So how does this relate to people asking me how I do what I do? It’s simple… Validation.
Although I do this for a living, I still see myself as an aspiring photographer. Sure I’ve done some cool stuff, but I’m very much at the beginning of a career I hope will span many decades, so I often look at the photographers I aspire to for my own form of validation. When I first decided I wanted to do this for a living, I would spend hours watching behind the scenes videos, reading blogs and books to find out who did what, how, and using what equipment. In my mind, I thought that if I had that equipment and worked in that way, I’d be half way to being where they are.
As with any creative medium, there are loads of different ways of getting to the same outcome. It’s whatever works best for you. Buying the best camera might make you feel “proper”, but it won’t necessarily make your images the best. The same goes for any form of equipment, technique, workflow. What I do, may not be the best thing for you to do.
Of course, with all that said, there’s loads of things I learn from people on a daily basis, and learning from and watching people is a great way to become better at what you do. But just because David Bailey does something one way, and you do it another, it doesn’t mean that your way is any less valid. The beauty of what we do is that there is no right and wrong. It’s what works for you. Ultimately, it’s the images you create that people are looking at, not how you created them.
When people ask me what I use, or how I do something, I’m often reluctant to tell them. Not because I like secrets, but because I want to encourage people to find their own way. I would rather give people the skills to decide for themselves. I have a simple process of creating an image. I have an image in my head, which I reverse engineer into real life, before capturing it in the camera. I don’t have any magic techniques, or secrets. It’s just about knowing what I want and being confident in my own technical knowledge to be able to create it.
So in the interest of giving some validation, I’m going to start posting up blogs where I give a thorough explanation of the thoughts, equipment and techniques.
I’ll be posting the first one up later today, but until then, here’s a list of things I use at the moment. I’m not sponsored by any of them, but if anyone out there wants to give me some free stuff, I wouldn’t complain!
Hasselblad H3DII-31
Elinchrom BXRi 500W Studio Heads
Pocket Wizard Plus II Transceivers
Nescafé Suraya Coffee
Coke Zero
Silver Spoon “Half Spoon” Sugar
Seagate Barracuda Hard Drives
Apple MacPro
Apple LED Cinema Display
Apple iPhone
Apple iMac
Apple iPad
Apple iPod 3rd Generation
Apple iPod Shuffle (I like Apple, can you tell?)
Drobo
Yankee Candles
Ikea
Olympus EPL-1
Moo.com
Peli Cases
Wacom Bamboo Tablet
Sekonic L-358 Lightmeter
Hasselblad Phocus
Manfrotto 190XPROB Tripod
Adobe Lightroom
Adobe Photoshop
Twitter
Facebook
Canon EOS 1D Mark III
Smart Fortwo
Haribo
Blurb.com
Fashion Gone Rogue
Vogue
Harpers Bazaar
I-D
Dazed & Confused
PG Tips
Lacto Free Milk
Burberry
Pringle
SanDisk Extreme III Compact Flash Cards
Chiltern Railways
O2
Obviously, there’s a whole load of stuff on there that’s completely irrelevant, but I know that someone out there feels a little better in themselves purely because they drink the same coffee! It’s how our minds work! I know I’ve been watching things on TV and felt satisfaction because I’ve seen a photographer using the same camera as me, even though I know the images we create with them are worlds apart. I was at a seminar last year as part of the Hasselblad Masters exhibition, and one of the 2010 Masters, Joao Carlos, said something that gave me some validation. He shoots on small compact flash cards, because it’s similar to shooting on rolls of film. I do the same thing, and have done for a while. Partly because it encourages me to try and get each of the shots I’m looking for within a single card, rather than just shoot and hope. It also means that if a card corrupts… and they do… I don’t lose a whole shoot. Hearing someone who’s being paid to travel the world giving these talks tell me something I already know, helps to build my own confidence in that the things I do are “right”. I really enjoy trying to help people, answering peoples questions, and giving them the validation they need… although I don’t get paid to travel the world doing it! Haha.
Anyway, I’m hoping this post will inspire some of you to be more confident in what you’re doing. Don’t be too hung up on what others are doing. If it works for you, it’s right.
I’m confident in my work, but like you, I certainly don’t feel like I’ve arrived. I still need to work out where I’m going, but on a shoot, I know what I want and have enough of an idea how to get it.
Equally so, when the pressure is off, I experiment and refine. Sometimes it fails miserably, but that’s okay, because I’ve learned that it didn’t suit. Nor that doesn’t mean it’s never to be done again.
Now to get paid more often..lol!
Failing can be a good thing. It’s one of the best ways to learn!
Hmm, that makes at least three of us then, as I also shoot on weenie CF cards… Though my reason is through minimising potential data loss. As you say, focussing your mind to get the shots on limited storage certainly helps efficient use of what CF cards you use too!
And as a side note, I drink Kenco Pure Peruvian!